The Vinayagar Agaval (‘Song of Vinayaga’) is a stunning example of Tamil sacred poetry. It is thought to be the greatest poem of the Chola era poet Auvaiyar, written shortly before her death. The Chola dynasty, which emerged around the ninth century, went on to rule most of South India for the next four hundred years. The Cholas presided over an important renaissance in Tamil literature, art and architecture, particularly temple construction. The name Auvaiyar has been given to a number of important female poets, of whom three in particular stand out as literary giants. Whereas Auviayar I lived in or around the early 1st century CE, it was Auvaiyar II of the medieval Chola period who wrote the Vinayakar Agaval. Auviayar II gained recognition in her life time as a court poet of the Chola monarch and as sometimes a peace envoy between warring states.

Among the Tamils of Sri Lanka Auvaiyar II is best known for her children’s poems, which take the form of proverbs and instructions in ethics, and which are taught almost universally in kindergarten and primary schools in present day Tamil Nadu and Tamil Eelam. Nevertheless, it is her less widely taught ode to Vinayaga, that stands out as one of the most important poems of classical Tamil. The Vinayakar Agaval remains one of the simplest and most accessible sacred poems in the vast collection of ancient Tamil literature and is hence chosen for our introduction to this subject. “Agaval” is a form of blank verse, close to speech, but often lost in translation is the natural succinctness and rhythm of the Tamil language. Auvaiyar’s poem is a journey through the Tamil devotional tradition known as “Bhakti”. It begins with contemplation of the external form of the God and continues as an exposition of ancient Hindu spiritual belief and practice. Auvaiyar follows the “Saivite” tradition of Hinduism, centred around the God Shiva, which is most popular in the Dravidian cultures of Southern India and Tamil Eelam.

By contrast, the Vaishnavite tradition, following Vishnu (and his incarnations as Krishna, Rama etc) are popular in Northern India. There are also some sects that follow principally Durga (the mother). And so, in keeping with traditions of Saivite sacred poetry the Vinayagar Agaval begins with contemplation of the jewelled feet of the god: Cool, fragrant lotus feet with anklets tinkling sweet, The feet are a symbol of grace. One may see this poetic tradition of praising the feet also with the 7th century Sivapuranam, which emphasises throughout that the presence of the God is felt on earth through the imprints of his feet. Without beginning with the earthly shadow or foot print of the God one may not aspire to understand his totality. Yet even in the first few lines, the philosophical references of Auvaiyar’s exposition are often lost in the translation from Tamil to English.

Free download Vinayagar Songs Tamil Mp3. We have about 30 mp3 files ready to play and download. To start this download Lagu you need to click on [Download] Button. Remember that by downloading this song you accept our terms and conditions. We recommend the first song titled Vinayagar Song -HD.mp3 for free. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesh. It was written in the 10th century during the Chola dynasty by the Tamil poet Avaiyar.

Seeta kalabhach chentaamarai poovum paathai chilambum pala isai paada “cool earth (sandal paste), red lotus feet” is seen as a reference to the Muladhara or “Earth Chakra”, Vinayagar’s abode within the human body. Vinayagar is considered to sit at the gate of the Earth (Muladhara) Chakra, protecting us from the lower worlds beneath, represented by the lower chakras, the Hindu equivalent of hell. For a description of the Chakras, please refer to the section “Mystic References in the Agaval”. “anklets, which sing many notes” is seen as a reference to the concept of the primal sound or vibration of the universe, which precedes the material world, and which is also embodied in Vinayagar. And so one sees that Auvaiyar’s poem is a many layered experience of philosophical concepts brought to life via devotional poetry. The Vinayagar Agaval swiftly moves beyond contemplation of the feet to adoration of the face and body of the God.

Gold girdle, flower-soft garment setting off the comely hips, pot-belly and big, heavy tusk, elephant-face with the bright red mark, The story of how Ganesha acquired his elephant face is one of the staples of Tamil children’s fables. It is so well known that we have omitted it here. The elephant symbolises strength and intelligence, the white elephant being a symbol of purity and luck. The birth of a white elephant was said to bring a period of plenitude and abundance for a whole nation. Igo primo data zip 1920x1080 resolution. But the images of the gods are constructed upon deeper symbolic significance. The God Ganesha (Vinayagar) is considered the personification of the material universe, which is contained in his belly. “The universe in all of varied and magnificent manifestations is nothing other than the body of this cheerful and portly God” says Subramuniya Swami in his book on Ganesha.

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